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Silver Show Of India – 4th Edition, Bengaluru concludes successfully

Silver Show Of India (SSI) – 4th Edition Bengaluru once again reiterated how the show has been an agent of transformation for the silver jewellery and articles segment.

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This edition of SSI featured 220 exhibitors across various segments and saw around 11000 visitors in attendance. Besides Karnataka and south India, visitors came from all major silver manufacturing centres across the country.

SSI-4th Edition was formally inaugurated at BIEC, Bengaluru by Chief Guest Rajesh Kalyanaraman, Executive Director -Kalyan Jewellers in the presence of Guests of Honour Dr T A Sharavana, Member -Karnataka Legislative Council, Ba. Ramesh, Jt MD -Thangamayil Jewellery Ltd. Present at the inauguration were Dr Chetan Kumar Mehta, President -JAB  & President, Jewellery Division- IBJA, Suresh Ganna, Chairman – Exhibitions Committee- JAB, Directors and Silver Committee Members of JAB, Sreekanth Urs, MD – GES India Inc. and dignitaries from the GJ industry.

SSI has been a catalyst for the growth of the silver segment. Corporate retailers to single showroom are all bullish on silver. Stand alone silver jewellery outlets are also the increase. The faith in silver was put into perspective by Rajesh Kalyan, Executive Director -Kalyan Jewellers ; speaking at the inauguration of SSI, said, “We at Kalyan stand  focussed on silver.  Our product requirements are met, industry is growing and there is great demand from consumer.”

SSI had everything—the finest silver jewellery and artefacts, astounding craftsmanship, artistic masterpieces. The exhibitors, retailers and all others in the value chain are overwhelmed by the demand for silver jewellery, artefacts and articles.

 Exhibitors at SSI said that besides staple segments like silver utensils, pooja items and payals and chains, the segment that saw a surge in sales was bridal jewellery. The bridal jewellery and couture jewellery showcased at SSI was opulent and exquisite. And given the surge in gold prices, silver couture jewellery saw many takers.

Sreekanth Urs speaking at the conclusion of SSI said, “Serious buyers  at SSI from across the country, exhibitors from all major centres and healthy sales across all segments indicates how important a platform SSI is for the silver sector”. He thanked JAB, IBJA,the exhibitors, visitors, the venue management, all vendors, media and each one who has contributed to the success of SSI.

SSI has given silver the prominence it deserves and put the spotlight on silver. Exhibitors and visitors alike expressed that this is silvers moment. Silver is truly in the spotlight.

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JB Insights

Top 10 India’s Jewellery Traditions: Where Craft Becomes Identity

-By JewelBuzz
From Centuries-Old Techniques To Regional Artistry, These 10 Jewellery Traditions Reflect India’s Cultural Legacy, Craftsmanship, and Enduring Human Touch

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India’s jewellery is far more than ornamentation—it is a reflection of identity, heritage, and regional storytelling. Across the country, every piece carries the imprint of its origin, shaped by local traditions, cultural influences, and generations of skilled artisans. From intricate silverwork to vibrant enamel detailing, these designs are deeply tied to the communities that create them.

What sets Indian jewellery apart is its deep-rooted connection to time and tradition. These crafts were not born in factories but evolved within homes and workshops, passed down through families and perfected over centuries. Each technique reflects patience, precision, and human touch, making every creation unique and meaningful.

In today’s fast-paced world of mass production and uniform design, these traditional jewellery forms stand as a reminder of authentic craftsmanship and enduring legacy. They are not just objects of beauty but living traditions, preserving stories of culture, survival, and artistic excellence that continue to define India’s diverse identity.

Top 10 Regional Jewellery Traditions

Silver Filigree, Cuttack (Odisha)

Delicate like lace, yet crafted entirely from silver, this art—known as Tarakasi—dates back to the 13th century. Artisans twist ultra-fine silver wires into intricate patterns.
The process requires immense precision, often taking days to complete a single piece. It is widely used in creating decorative items, bridal jewellery, and heritage collectibles.

Gulabi Meenakari, Varanasi (Uttar Pradesh)


Jewellery that appears hand-painted, known for its signature pink enamel work. The craft involves fusing metal oxides onto gold and silver at high temperatures. Its distinctive pastel hues set it apart from other meenakari styles in India. The craft flourished under royal patronage and remains closely associated with Varanasi’s artistic legacy.

Thewa, Pratapgarh (Rajasthan)

A unique technique where intricately carved gold sheets are fused onto coloured glass, often depicting royal hunts, folklore, and nature.
Each piece is handcrafted using age-old skills preserved within artisan families. The vibrant glass backgrounds—typically red, green, or blue—enhance its regal appeal.

Hupari Silver Jewellery, Kolhapur (Maharashtra)

In Hupari, jewellery-making is a family tradition. Known for durability and fine detailing, each piece reflects generational skill. The town is one of India’s largest hubs for handcrafted silver jewellery. Its artisans are known for blending traditional motifs with contemporary designs.

Karimnagar Silver Filigree (Telangana)


Distinct from Cuttack’s style, this form features bolder motifs like peacocks, swans, and geometric patterns, giving it a unique identity.
The craft often produces statement pieces and decorative artefacts. It has been recognised for its craftsmanship and continues to support local artisan communities.

Hyderabad Lac Bangles (Telangana)

Crafted using heated lac, these bangles are hand-moulded and studded with stones, making them vibrant and deeply tied to bridal traditions.
They are especially popular during weddings and festive occasions. The process involves multiple stages of heating, shaping, and embellishment by skilled craftsmen.

Axomiya Gohona (Assam)

Traditional Assamese jewellery made primarily in gold, featuring motifs like junbiri (crescent moon), dholbiri, and lokaparo, is inspired by nature and Ahom-era royalty.
These pieces are often worn during festivals like Bihu and weddings. The bold designs reflect Assam’s rich cultural symbolism and heritage.

Temple Jewellery of Nagercoil (Tamil Nadu)

Originally designed for temple idols, now worn by Bharatanatyam dancers and brides, often depicting gods, goddesses, and temple architecture.
Crafted mainly in gold, these pieces are known for their antique finish and intricate carvings. They remain an essential part of South Indian bridal trousseaus.

Agates of Cambay (Gujarat)

Crafted in Khambhat, artisans heat, dye, and polish agate stones into beads and jewellery. This is a 4,000-year-old craft with global appeal.
Khambhat has been a historic trading centre for agates since ancient times. The finished stones are exported worldwide for use in jewellery and decorative items.

Odisha Brass & Bell Metal Tribal Jewellery

Created using age-old casting techniques, molten metal is hand-poured into moulds to form bold, earthy ornaments that reflect tribal identity and rituals.
These pieces are deeply symbolic, often representing social status and community traditions. The raw, rustic aesthetic makes them distinct from mainstream jewellery styles.

These jewellery traditions are more than decorative forms—they are living expressions of India’s cultural identity and craftsmanship. Each piece carries the legacy of its region, shaped by generations of artisans, local narratives, and time-honoured techniques.

As the industry evolves, the value of these traditions lies in their authenticity, individuality, and human touch—qualities that cannot be replicated by mass production. Preserving them is not just about sustaining craft, but about protecting heritage and supporting artisan communities.

In celebrating these traditions, we don’t just admire their beauty—we honour the stories, skills, and identities that continue to define India’s jewellery landscape.

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JewelBuzz is Asia’s First Digital Jewellery Media & India’s No.1 B2B Jewellery Magazine, published by AM Media House. Since 2016, we’ve been the trusted source for jewellery news, market trends, trade insights, exhibitions, podcasts, and brand stories, connecting jewellers, retailers, and industry professionals worldwide.

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