By Invitation
Golden Rule II – Planogram and Processes for Replenishment of Non-fast movers


LRN has worked at senior level positions in companies like Eicher Motors, Hero Motors, Greaves Cotton, Ashok Leyland, and Hindustan motors. His last employer was Titan Company limited. Eleven years in Titan Company limited (eight years in Tanishq) and retired as CEO for the new business division. LRN was also heading the innovation council at Titan and was an active member of Tata Group Innovation Forum.
LRN had successfully spearheaded the TOC implementation in Tanishq retailing.LRN had started a school for Innovation in Titan and the school had produced over 400 trained innovators.
LRN also undertakes consulting assignments from corporate companies on Strategy, Retail excellence and Innovation. He has recently authored two books, a book on Innovation titled “The 9 Nuggets of Innovation” and a book on retailing titled “Demystifying Retail” – The Four golden rules.

Prabhakar Mahadevan, Founder Director of Strategy and Systems Consulting & Focus and Flow
Technologies Pvt Ltd
Prabhakar is a certified Theory of Constraints consultant (TOC) by Goldratt Schools Israel, certified expert on TOC by TOCICO (www.tocico.org) & is associated with TOC for the last 22+ years.
Through his consulting companies,Prabhakar and his colleagues are involved in several comprehensive TOC consulting projects across several industry verticals such as fashion jewellery, fast moving consumer goods, consumer durables, automotive OEM, capital machinery, pharmaceutical, heavy engineering, fashion retail etc.
In continuation of our article titled “The Four Golden Rules for securing retail excellence”, we am detailing through this article, the second Golden Rule: “Planogram and Process for Replenishment of Non- fast movers”.
While this article will detail the insights in to building an Ideal Planogram, we will be delving on “Replenishment of Non-fast movers” in our next article.
1. Background
A retailer carries varieties of merchandise covering all categories, subcategory, sizes, and price points covering the width and depth of requirements of his customer base. He is investing in the stock he holds, and the return on his investment comes from the sale of merchandise.
Planogram, meaning the stock mix of the inventory held, is the backbone of retail. The right width and depth of merchandise one holds is a key factor in determining his ROI. For getting this aspect right, one should engineer their planogram. Also, when you are holding less inventory, the lost sale opportunity increases because of walkouts. When you are holding more inventory, because of “Choice Overload” the walkouts will again be high.
The retailer should find a solution to the following two questions:
- Firstly, how does one arrive at the right mix of inventory, leading to right planogram?
- Secondly, how should the retailer go about replenishing the merchandise against sale, in continuing to enjoy the right mix in planogram?
2. Constructing the Ideal Planogram
To explain this better, let us assume a retail chain with 50 showrooms. The retail chain comprises, say, 10 small format showrooms, 30 medium format showrooms, and 10 large format showrooms. The inventory mix in all these showrooms happens initially keeping their competition as bench mark. Once the showroom starts selling the merchandise, there would be learning, and each franchisee/ Store Manager uses their interpretation of the sale pattern, to correct the stock mix. Over a period, they reach a situation where they realise that the only way to bring in fresh/new merchandise is by liquidating the aged/non-selling stocks at a high discount. By resorting to this, not only their margins get eroded, but more importantly, their valuable time gets consumed only in liquidating the non-performing stock.
- What is the way out? Are there smarter processes in arriving at the right inventory mix?
- Well, it is said that collective wisdom is better than individual expertise.
In KAUN BANEGA CROREPATHI, research says that the right answers the person sitting in the Hot seat could get from “ask the expert lifeline” was only 40%, as compared to 80% correct answer from audience poll. This reiterates the point that collective wisdom is better than individual excellence. The point I am trying to make here is that, is there a way the collective happenings at each of the store can be used as a reference in arriving at the right planogram (rather than each store deciding on their planogram independently)
In the example explained, we said that the retail chain has 10 smaller format showrooms. Let us say that these small format retailers are dealing with 10 categories (and each category with multiple sub-categories) say A to J, and each category/ Sub-category will have merchandise at (say) 10 different price points, say 1 to 10. While each category (A to J) and its sub-category with price points 1 to 10, represents the width of merchandise, the depth of merchandise is defined by the number of varieties they carry in each category/ Sub- category at each price points.
Having understood thus far, we should compute the average stock held by these 10 stores, by compiling store-wise, at each category/ Sub-category/ price point wise, stock held. This followed, in arriving at the average sale, by compiling the sale, again showroom-wise, category/Sub-Category price-point-wise.
Having done this, we will be able to arrive at category-wise/sub-category wise/price-point-wise, the average sale per year of all stores together and the average stock turn, again category-wise/Sub- category wise/ price-point-wise. The sample data thus compiled will provide a valuable insight to each showroom on how their stock mix is performing in comparison with other stores and where it needs correction, and how they can arrive at the right planogram.
For a better understanding, let us consider the following example wherein for one category (Bangle)/ Sub- Category (Filigree), at one price point (10 -12 grams), compilation has been done.

This exercise needs to be done for all the Category/ Sub- Category and at each weight band. With this done, the Four- Quadrant tool (as explained below) will guide the retailer in arriving at the right assortment planning for his stores.
3. The Four Quadrant tool
This is a 2*2 analysis, which compares the sale and stock turn of a given Category/ Sub- Category/ Price point of a store with that of the group average sales and group stockturn of the group. The group average sale is captured on the Y axis and the Stock turn on the X axis. (As depicted below)

The stores falling under Quadrant 1 (Low sale and Low stock turn) and Quadrant 2 (High sale and low stock turn) are the candidates where there exists potential for stock reduction. In similar breadth, the stores falling under Q3 (High stock turn and Low sales) and Q4 (High sales and Stock turn) are the line items where they are doing well, and if required the stock can be added in the line items falling under these quadrants.
Now, coming back to the Bangle/ Filigree/ 10 to 12 grams, compilation chart done for the 10 Stores, with quadrant analysis done, will appear as below

The suggestion from our experience is that for the stores falling under Q1 and Q2 (in the above chart) the stocks can be reduced to the extent of matching the Group stock turn, without affecting their current sale.
As an example, let us look at the store 9 which is in Q1, with a sale of 2400 grams, stock of 1200 grams and stock turn of 2. If store 9 is to achieve at least the group stock turn of 2.8, their stock should be 2400/2.8 =857 grams, meaning a reduction of 343 grams (1200-857) in inventory.
The new assortment plan for a given store can be made ready by repeating the above exercise for all the line items (at Category/ Sub- Category/ Weight bands) and correcting (reducing) the stocks for the line items falling under Q1 and Q2.
The corrected inventory mixes thus arrived at is called the RIGHT/ IDEAL PLANOGRAM.
Four quadrant analysis for small retailers (< than 5 stores)
In this case, since a detailed line- item wise comparison across stores may not be meaningful (since the number of stores are less), they are suggested to do the analysis store wise, for each line item using the Four quadrant chart depicted below

For such small retailers, store wise line item wise (at the Category/ Sub-category/ weight band level) the performance of sale and stock turn is to be compared with Category/ Sub-category level average sale and Stock turn.
Having arrived at the right planogram, the next challenge will be to improve the merchandise mix on an ongoing basis, with the right replenishment process.
4. Replenishment Process (for large retailers)
For the merchandise selling under the category of fast-mover, we had explained in the earlier article how the replenishment is to be done. I will explain here, the methodology to be followed for replenishment against sale of a non-fast-mover.
To implement the suggested process, the pre-requisite lies in creating a Design bank. Therefore, let us first try and understand everything about the Design bank.
- What is Design bank?
- What should be the size of a Design bank?
- What are the pre-selection processes for a design to appear in the design bank?
- The process of replenishment using the design bank
- The advantages of using the design bank
- How to keep the design bank Dynamic?
5. Design Bank
What is a Design bank?
A design bank is a collection of pre-selected designs (with three agencies short listing) to improve the probability of sale. The design bank should cover all the line items (Category/ Sub- Category/ Weight band level = Line item) appearing in the largest show room in the retail group
What Should be the size of Design bank
To arrive at this number, for the largest store, one should refer to the sales from non-head age band, line item wise for the last one year. Having done this, the design bank should have options to cover, line item wise 6 months sale. For example, for a line item, Bangle/ Filigree/ 10-12 grams, the sale from non-head age band is 40 in a year, the design bank should have 20 varieties of design.
The computation as per the example given above must be done for all the line items appearing in the Ideal Planogram of the largest store.
If the 6 months requirement for some of the line item is less than 3, the design bank should have a minimum of 3 design variants.
What are the selection processes for a design to appear in the design bank
For a given line item if the computed number of designs to appear in the design bank is 20 (1x), then the vendor base should be asked to showcase 60 designs (3x). These 60 designs should be reviewed by the Senior store staff and the senior merchandiser in bringing it down to 40 (2x). The shortlisted 40 designs again need to be filtered through a customer meet in picking the final 20 (1x) designs to be showcased in the design bank. By repeating this process for all the line items the design bank can be made ready with a set of designs with much higher probability of selling.
The Process of replenishment using the design bank
Once the design bank is in place, all the stores should replenish their line- item wise non-head sale only from the design bank. It is important for the store to replenish the line item sold (at Category/ Sub- Category/ Weight band level) only with the similar variant belonging to the same line item from the design bank. Example: if a design variant belonging to Bangle/Filigree/10-12 grams has got sold in the non-head age band, then the store should pick an alternate design variant from design options listed under Bangle/Filigree/10-12 grams and under other category/sub-category / weight bands.

Also, there should be appropriate software (or excel) for capturing each design variant wise pick and sale from the design bank (as and when designs from design banks are picked against sale of a variant from non-head age band happens). Over a period, design bank will have line item wise/ variant wise pick and sale data which will be a valuable guide for stores in selecting the variants with higher probability of sales.
The advantages of using the design bank for replenishing sale from non-head age band

How to keep the design bank dynamic
After computing the design bank size and selecting designs based on multi-tiered selection process explained above, retailer should build the design bank with first with 50% of the design variant requirement. After this, every alternate month, 17% of design bank size should be added. But doing this, the design bank requirement will be met by the end of 6th month. From the 8th month onwards, when new designs equivalent to 17% of design bank size is added, the same number of non-performing designs from the design bank should be removed. This process ensures the design bank is kept dynamic and its size would also be around (after addition and deletion) the 6-month non-head sale requirement.
Example: Design bank size for Bangle/Filigree/10-12 grams is 50 designs. In month 0, build the design bank with 25 designs and get started with doing alternate replenishment from the design bank. In months 2, 4, and 6, add 8 new designs to the design bank. So, by the end of month 6, design bank size would be 49. In month 8, when 17 new designs are added, remove 17 old non-performing designs which was added in month 0. Repeat this process every alternate month and keep the design bank fresh and dynamic.
Summing up
To achieve the best inventory effectiveness, besides the processes suggested for fast-movers, two things are to be done:
- One must arrive at the right planogram, by doing 2 X 2 analysis
- A Design Bank showcasing merchandise-wise unique designs should be made visible to showrooms ((along with sales and pick data). This will enable the individual showrooms to pick the merchandise with good sales history, when a non-fast-mover sells.
Happy Retailing
L.R. Natarajan
M. Prabhakar

By Invitation
Mangalsutra market glows with steady 11% growth rate
by Tanvi shah
Director & Head – CareEdge Advisory & Research


Tanvi shah -Director & Head – CareEdge Advisory & Research
The gems and jewellery market has clocked a healthy CAGR of 11% from CY20-24, to reach at Rs. 8,110 billion in CY24. A similar growth trajectory is expected to continue in the next 5 years. Furthermore, bangles and chains hold a large share in the overall jewellery market. As consumer preferences evolve, the Indian jewellery sector is undergoing notable transformation. Central to this shift is the Mangalsutra—a piece that embodies both cultural heritage and modern sensibility. Traditionally revered as a symbol of marital unity and prosperity, the Mangalsutra has maintained its cultural significance while aligning with contemporary aesthetics and changing lifestyles.
The Mangalsutra market has grown at over 10% compounded annual growth rate (CAGR) over the past five years and estimated to be Rs 190 billion in CY24(E). With the consistently rising number of weddings in India, the market is set to expand steadily and is expected to surpass Rs 250 billion by CY29.
Weddings: The Prime Driver of Demand
Weddings remain the key driver of Mangalsutra purchases, with the ornament continuing to symbolize matrimony across communities. As weddings evolve—especially with greater financial independence among millennial couples—buying behaviours are also shifting. While 80–82% of wedding expenses are still covered through savings, around 10% rely on loans and 6–8% liquidate assets.
In 2024, India recorded 124.3 lakh weddings, marking a strong post-pandemic momentum. This upward trend continued from earlier years and is expected to accelerate, with weddings projected to reach 180.8 lakh by 2032, registering a CAGR of 4.8%. This growth is also fuelling demand for bridal jewellery, underscoring the wedding sector’s resilience and its rising contribution to the national economy.
Chart 1: Total Number of Weddings in India, CY2024-32

Source: Industry Sources, CareEdge Research
Source: Industry Sources, CareEdge Research
The rise of destination weddings and thematic ceremonies has prompted demand for multiple Mangalsutra designs. Brides now seek elaborate gold pieces for traditional rituals and minimalist styles for more modern or informal functions. This shift has encouraged jewellers to diversify their offerings, enabling repeat purchases beyond the initial wedding.
Evolving Designs: A Fusion of Style and Sentiment
Although traditional Mangalsutras—characterised by black beads and gold links—continue to dominate, capturing a 62% share of the market in CY24, the preference for modern alternatives is rising. Designs featuring sleek lines, diamonds, and mixed metals now comprise 32% of the market and resonate particularly with younger, urban consumers who prioritise versatility and style.
Chart 2: Indian Mangalsutra Market: Break-up by Design (% share) for CY24(E)
Source: CareEdge Research
Customisation has emerged as a notable trend. Consumers increasingly request bespoke elements, including unique pendant shapes, gemstone settings, and tailored chain lengths. Presently, customised Mangalsutras account for approximately 5% of the market. Jewellers are responding by embracing advanced design technologies and personalised consultations, enabling them to cater to diverse tastes and preferences.
Material preferences reflect shifting choices considering prices
Gold remains the market leader in Mangalsutra, and 22K gold accounts for 52% of the share because of its long-standing tradition of symbolizing security and affluence. Nevertheless, an price increase—from around Rs 67,175 per 10 grams during April 2024 to Rs 90,050 as of 24th April 2025—has forced consumers to question their decisions, tending towards lighter or affordable options.
Chart 3: Indian Mangalsutra market breakup by material type (% share) for CY24(E)
Source: CareEdge Research
Note: Others include Beads, Synthetic Metals, Semi-Precious stones, etc.
Silver Mangalsutras, now commanding a 31% share, offer an affordable and wearable alternative. Their simplicity appeals to younger consumers who seek practical, everyday options. Meanwhile, diamond Mangalsutras hold a 12% market share, gaining popularity among those who value elegance and symbolic distinction. Fusion designs, incorporating gold, silver, and diamonds, are also gaining ground as jewellers strive to serve a broader demographic.
Market Outlook: Strong sentiment supporting healthy sales growth
Gold Mangalsutras continue to represent nearly 52.3% of the total market, but interest in alternative silver or diamond variants is also attracting more consumers. Going forward, these changing consumer preferences will encourage many new replacement and repeat purchases, creating fresh opportunities for jewellers.
In contrast to the overall demand for gold jewellery, which declined by 2.3 percent year-on-year in CY24, the Mangalsutra market demonstrated remarkable resilience by maintaining double-digit growth. As weddings continued and consumer preferences evolved, the Mangalsutra adapted accordingly embracing new and exciting designs without compromising its cultural significance.
A commitment symbol and a personal style will keep it constantly relevant in India’s jewellery landscape, full of diversity and dynamism.
By Invitation
Diamonds Reimagined: The Rise of Lab-Grown Elegance
By Akash Talesara
President : Sky Gold ltd.

Celebrity Endorsements of LGDs
Celebrity endorsements are pivotal in transforming ethical luxury from an idealistic concept to a mainstream trend. When well-known figures embrace lab-grown diamonds, they redefine luxury by blending style with responsibility. These endorsements break the notion that luxury is only about exclusivity and excess, shifting the narrative to one where ethics and beauty coexist. As consumers increasingly prioritize sustainability, celebrities make it easier for them to align their values with their purchases, normalizing lab-grown diamonds as the future of luxury. This shift is not just a trend—it’s a cultural movement led by those who hold significant influence.



Global jewellery brands leveraging celebrity stardom
Global jewellery brands are tapping into the power of celebrity to position lab-grown diamonds as the next big thing in luxury. Celebrities bring visibility, credibility, and aspirational value to these diamonds, helping brands reframe them as a symbol of modern luxury. Through collaborations and campaigns featuring stars, jewellery brands communicate that lab-grown diamonds are not only ethically sound but also high-end and exclusive. These celebrity endorsements connect luxury with conscious consumption, shifting consumer perceptions and setting a new standard in the luxury market. This strategic use of star power helps lab-grown diamonds carve a niche as the future of sustainable luxury.
Celebrity collaborations driving the popularity of LGDs
Celebrity collaborations are a game-changer in how lab-grown diamonds are perceived. When icons align themselves with these diamonds, they make the concept of sustainable luxury not just appealing but aspirational. Through their influence, celebrities turn lab-grown diamonds into a desirable, high-status item, making them relatable for the general public. By wearing and endorsing these sustainable gems, they make them accessible to a broader range of consumers. These partnerships not only elevate the diamonds’ appeal but also serve as a bridge between high-end luxury and everyday luxury, making it more attainable for a global audience.



Millennials and Gen Z driving the shift toward LGDs
The jewellery market is shifting gears, embracing sustainability, ethical practices, and personalized designs like never before. Millennials and Gen Z are leading the charge in the lab-grown diamond movement. These diamonds are made with minimal environmental impact, offering a more eco-friendly and responsible choice. It’s not just about the sparkle, it’s about supporting brands that stand for authenticity and integrity. This change is reshaping the jewellery industry, blending craftsmanship with conscience and redefining luxury as a perfect balance of elegance and ethics.
By Invitation
How to position your store in the jewellery market
Strategies for Success: Effectively Positioning Your Jewelry Store in a Competitive Market

Shivaram A is a much sought after mentor, consultant, trainer and speaker across multiple industry platforms. He founded Retail Gurukul in 2012 as a Consulting & Training company. Shivaram has since helped and continues to help retailers and manufacturers, significantly improve their business performance across various metrics.
Shivaram’s A Guide to Jewellery Retailing-Consumer facing operations is ultimate resource for jewellery store owners striving for success in today’s competitive market. Discover the secrets to making your jewellery retailing store succeed, draw in a steady flow of customers, and cultivate lasting loyalty. This comprehensive guide offers actionable advice and real-world examples to elevate your store’s aesthetics, service quality, and sales performance. This is an extract from A Guide to Jewellery Retailing-Consumer facing operations.
From the small corner-store goldsmith to the high-end boutique jeweller in their own high-rise building, jewellery retailers come in all forms and sizes. With the Indian jewellery market teeming with nearly 300,000 players, every jewellery retailer must position themselves uniquely to make their presence known in this competitive scenario.
As a jewellery retailer, you first have to decide whether you want to remain as just a “store” or create a “brand”. But what is the difference?
A “brand” has some definable qualities by which it can be uniquely identified. These qualities or features form a perception in the minds of the customer which is called its brand equity.
As a jeweller, you can project certain aspects of your jewellery merchandise or customer service as brand quality.
Look at how PC Chandra, the renowned Kolkata Jewellers are trying to position themselves with the help of the famous creative agency J Walter Thompson (JWT). Ayan Chakraborty, VP and executive business director, JWT Kolkata, said, “PC Chandra’s intricate craftsmanship and the brand’s unique image in the minds of Bengalis all over the world is something we kept in mind while working.”

Arjun Mukherjee, VP and ECD, JWT Kolkata, added, “The challenge was to create a philosophy for the brand which every modern woman will relate to. We went beyond the beauty space in jewellery and tried to find an emotion that will resonate with one and all.”
You too can position your jewellery outlet as a unique brand by defining its values and expressing your trade philosophy in the following ways.
Ways in which you can position your outlet
Jewellery stores fall into certain categories. First, try to identify which category you belong to, and then add value to it by defining your strengths. You may be a:
1. Personal Jeweller
When a customer looks for jewellery “tailor-made to his taste”, he comes to the personal jeweller. The Personal Jeweller highlights the uniqueness of design, exclusivity and personalization as his value points. Elite and royal families of illustrious lineage and social celebrities often prefer to have their own personal jewellers.
As a Personal Jeweller, you must vouch for your individuality in design and integrity in trust. If you possess Jewellery design software and have bagged Jewellery design awards, you really can boast of being a genuine Personal Jeweller.
2. Ethnic Jeweller
For people who have a taste for traditional and ethnic designs, the Ethnic Jeweller is the destination. As an Ethnic Jeweller, you must have profound knowledge in temple designs and must have the capacity to reproduce them without even the slightest difference. Polki, Jadau, Tanjore, Chettinad and Malabar designs feature as ethnic offerings.
3. Modern Jeweller
For the young and trendy, the Modern Jeweller is the person to call on. The Modern Jeweller must dabble in fusion and fashion. Rhodium, Rose gold, Platinum and 18k designs are part of the modern offerings.
4. Boutique Jeweller
The boutique Jeweller is the guy who prides himself on his jewellery range and exemplary service. These artistic showrooms offer an appealing ambience and a comfortable customer experience. Boutique Jewellers have several jewellery lines made by different designers.
5. Estate Jeweller
If you are looking for antique jewellery or vintage heirlooms, the Estate Jeweller is the guy to go to. As an Estate Jeweller, you must have the resourcefulness to seek and procure historic jewellery with sufficient proof. Estate jewellers are very expensive as they deal with high-end jewellery collectables.
6. Main Street Jeweller
The Main Street Jeweller has the sole objective of capturing the interest of the urban audience. He caters to them with an eclectic mix of traditional and modern jewellers with their latest preferences in mind.
7. Chain Store Jeweller
With branches at multiple locations, the Chain Store Jeweller prides itself on its wide geographical presence and popularity. His network of stores may be at diverse locations but portray the same brand image.

Steps to position your Jewellery store
1. First, identify yourself with a particular Jeweller category among the ones listed above.
2. Outline your strengths in stock, service, range, design etc. 3. Zero in on your “unique selling points” – is it affordability, service, repair facility, cost savings…
4. Crystallize your brand persona as a brand image with the help of expert consultants like Retail Gurukul who can bring to light the hidden values of your brand.
5. Position your brand with this persona by forming a unique brand image and taglines.
6. Popularize your brand using these brand messages and establish your brand.
Your brand is as precious as your jewellery. Position it with perfection to reach the pinnacle of success.
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