JB Insights
Jewellery Industry Shines Bright in Republic Day Campaign by JewelBuzz
industry, with numerous jewellers from across the country showcasing collections that celebrate India’s rich cultural and traditional heritage. The campaign was an overwhelming success, as it highlighted the deep connection between jewellery and Indian pride during the Republic Week. Amidst the incredible participation, two lucky winners were chosen, and they have been nominated for special coverage to further explore their remarkable collections.
As part of the recognition, these jewellers will have their collections featured, showcasing the exquisite designs and cultural motifs that make their jewellery stand out. To delve deeper into their creativity and vision, we’ve reached out with a few questions to understand what makes their Republic Day collections so special.
“For the last 34 years, we have been successful in earning the trust of the people by maintaining the dignity of the jewellery business. With pride comes joy. “I must have an exclusive” comes to the mind of the ladies who buy gold jewellery as a hobby in today’s age. It is felt that there is a price. This led to the development of two types of trends in jewellery manufacturing as well. Including daily wear jewellery which is made and sold in very large quantities. New dimensions of mass production were explored to meet its demand, in which machine made jewellery, casting jewellery came into existence. It has been popularized and used a lot. There is also an artistic class in our society who have something new that others do not have. It must be unique – exclusive which is difficult to copy. Various designs of kundan, color stone jewellery started being made for it. One of the features of such jewellery is that it is made by hand by the craftsman, so it is known as handmade jewellery. The selection category of this type of jewellery is also very large.14 years ago today we decided to do something new in this field i.e. something that no one else is doing and no one can compete with it. This led us to the production of our special type of handmade jewellery.”
Bhindi Jewellers
Dhaval J. Bhindi- Managing Director
- Can you share with us the unique elements that set your Republic Day collection apart, and how do these designs embody India’s rich culture and traditions?
“At Bhindi Jewellers, our Republic Day collection stands out with its unique Bengal Tiger-inspired designs, symbolizing strength, power, and India’s majestic wildlife. This collection merges the elegance of traditional craftsmanship with a bold, contemporary aesthetic. The Bengal Tiger motif reflects India’s rich cultural heritage, celebrating both nature and the spirit of resilience. By sharing this exclusive collection on the JewelBuzz platform, we aim to honor India’s legacy and pride, offering a truly distinctive and meaningful addition to this year’s Republic Day celebrations.”
“I started my Passionate Journey in the silver market for the past three years. With a strong commitment to quality and craftsmanship. Deesh thrives from the name of my mother who throughout helped me to be passionately stubborn in whatever I believed I could do.”
Jewel by Deesh has gained recognition among customers and dealers across India by blending traditional artistry with modern designs, I aim to provide the finest silver jewelry, ensuring customer satisfaction and long-term business growth. My dedication to excellence continues to drive a trademark success in the jewelry making Industry and bring meaningful jewelery concepts throughout.
These insights will offer a deeper look into the thought and artistry behind these incredible collections, highlighting the true essence of Indian craftsmanship.
Jewel by Deesh
Jainam Gandhi- Owner
Can you share with us the unique elements that set your Republic Day collection apart, and how do these designs embody India’s rich culture and traditions?
The Bengal Tiger Necklace is a tribute to the majestic Indian tiger, symbolizing strength, courage, and resilience. Handcrafted with intricate detailing in 925 sterling silver, this piece captures the fierce yet graceful spirit of the Bengal tiger, a national icon of India.
The antique finish enhances its regal look, reflecting the tiger’s deep cultural and ecological significance. Just as the tiger maintains balance in nature, this necklace represents power, protection, and harmony. Designed for those who appreciate heritage and craftsmanship, it is more than just jewelry—it’s a statement of pride and conservation.
In India, tigers hold cultural and national significance, symbolizing strength and conservation efforts. Projects like Project Tiger have helped protect their population, boosting eco-tourism and local economies. By preserving tigers, we safeguard entire ecosystems, benefiting wildlife and humans alike. Their conservation is essential for maintaining the natural heritage and ecological stability of the country.
JB Insights
The Woman Wearing The Diamond Was Never The One The Ad Was Talking To
Disha Shah, Founder & Designer, DiAi Designs Says That The Brands That Shift From “She Deserves It” to “She Chose It” Won’t Just Win Cultural Relevance – They’ll Own The Future Of Jewellery Marketing.
Indian jewellery advertising has always centred the woman. She has been the face of every campaign, draped in gold, luminous at the occasion, receiving the gift with practised grace. What she rarely was, until recently, was the intended audience.
The creative language of the category was built around a genuine economic reality. For decades, the buyer in Indian fine jewellery was the patriarch, the husband, the father, the family elder making a financial decision on behalf of a woman whose purchasing autonomy was limited. Advertising followed the money. The gift reveal, the bridal close-up, the family approval shot: these were not arbitrary creative choices. They reflected who held the purse strings, and they became so embedded in the category’s visual grammar that they outlasted the conditions that created them by an entire generation.
That structural reality has now reversed. Jewellery purchases now extend beyond weddings and festivals to daily wear, driven by financially independent working women. The self-purchasing woman is no longer an emerging segment; she is the category’s fastest-growing buyer, approaching the decision differently from the buyer the industry originally designed itself around. She is not waiting for an occasion. She is not waiting for someone to present a box. She researched the piece, chose it, and bought it because she wanted it.
The advertising, for the most part, has not caught up.
Some brands are beginning to recognise this. CaratLane’s #WearYourWins movement and Tanishq’s sustained push toward the “woman as decision-maker” are meaningful steps. But what makes these campaigns commercially smart is not just cultural alignment. Research from Harvard Business School finds that women systematically provide less favourable assessments of their own performance and potential than equally performing men. This documented self-promotion gap persists even when women know they have outperformed others. Campaigns that actively celebrate female self-recognition are not just filling a creative gap. They are responding to a behavioural reality that has gone largely unaddressed in the category. The brands doing this well are not being progressive for their own sake. They are being accurate about who their buyer is and what she needs to hear.
Look at the Women’s Day 2026 campaigns across the industry. The conversation is clearly starting to pivot. Brands are finally stepping away from the usual gifting tropes and reframing jewellery as a tool for personal milestones and self-expression. But these remain exceptions. The dominant campaign language of Indian jewellery- the gesture, the reveal, the woman being seen rather than deciding- has not structurally changed.
The media mix tells the same story. Titan leaned heavily on television in FY25, with ad volume surging to 77% of its mix, a broadcast medium built for household reach rather than the individual, financially independent woman who now represents the category’s fastest-growing buyer.
Meanwhile, digitally native BlueStone achieved 50% of online jewellery ad volumes on a budget nearly ten times smaller than Titan’s. The channel that reaches the self-purchasing woman directly is delivering outsized results on a fraction of the spend. The implication for where the industry should be directing its creative attention is fairly clear.
Consider what a brief genuinely written for this buyer would look like. No occasion in the shot. No second person in the frame presents anything. The opening line is not “for the woman who deserves to be celebrated.” It is “she saw it, she wanted it, she bought it.” The product earns its place not through sentiment but through desire. The copy does not explain why she is worth it. It assumes she already knows. That is not a tonal adjustment. It is a fundamentally different creative architecture, and very few briefs in this category have been written that way.
The LGD category has a specific opportunity here that established houses do not. Without decades of legacy campaign language to protect, an independent designer in this space can build advertising from a blank page, one written entirely around the woman who is actually making the purchase. The brief does not have to accommodate inherited assumptions about who the buyer is or what she is waiting for. That is not a small advantage. In a category where the dominant creative language was built around a buyer who is no longer the one making the decision, starting without that inheritance may be the most powerful creative position available.
The woman wearing the diamond has always been visible. What is changing now is who gets to decide. The brands that build their creative around that reality will not just be more culturally relevant. They will be better positioned for every year that follows. The advertising has not caught up yet. But the buyer already has.
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JewelBuzz is Asia’s First Digital Jewellery Media & India’s No.1 B2B Jewellery Magazine, published by AM Media House. Since 2016, we’ve been the trusted source for jewellery news, market trends, trade insights, exhibitions, podcasts, and brand stories, connecting jewellers, retailers, and industry professionals worldwide.