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IIJS Tritiya 2024 and IGJME Tritiya 2024 inaugurated in Bengaluru

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The power-packed inauguration ceremony was graced by presence of Principal Chief Guest Dr. Selvakumar IAS, Principal Secretary to Govt- Dept of Commerce and Industries, Govt of Karnataka, Chief Guests Dr B Govindan, Chairman -Bhima Jewellery and Vinod Hayagriv, MD – C Krishna Chetty Group.Present at the inaugural ceremony were Dr Chetan Kumar Mehta, President- Jewellers Association, Bengaluru and other dignitaries of the GJ industry.

Representing GJEPC were Vipul Shah Chairman-GJEPC, Kirit Bhansali, Vice Chairman – GJEPC and Nirav Bhansali, Convenor, National Exhibitions –GJEPC, Sabyasachi Ray, ED- GJEPC and other CoA members.

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Rihanna Rewrites the Jewellery Rulebook at Fenty Beauty’s India Debut

In Mumbai, the global icon ditches matchy sets for a bold, curated mix of Indian heritage and high-fashion statements.

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When Rihanna arrived in Mumbai for the India launch of Fenty Beauty, she didn’t just make an appearance—she staged a masterclass in modern styling.

The 38-year-old global icon moved seamlessly between two distinct looks across the day, each carrying its own mood and message. For the official launch, she leaned into a soft, feminine aesthetic with a monochrome olive-green ensemble. By night, she pivoted sharply, stepping out in a sleek black dress that dialled up the glamour and edge.

But it wasn’t just the wardrobe changes that caught attention—it was the jewellery. Rihanna skipped the traditional route of wearing a coordinated set and instead curated a layered narrative using pieces from some of India’s most storied and contemporary design houses.

Earrings by Birdhichand Ghanshyamdas:

Her earrings, by Birdhichand Ghanshyamdas, brought a sense of classic regalityrooted, timeless, and quietly commanding. Acting as the anchor, they carried the weight of heritage without overwhelming the look.

Bangles & Rings by Sabyasachi:

On her hands, the interplay continued. Bangles and rings from Sabyasachi Jewellery added a textured, expressive dimension. Studded with tourmalines and layered with intent, these pieces leaned into expressive luxurybold, unapologetic, and full of personality.

Haath Phool by Manish Malhotra High Jewellery:

Then came the twist: a haath phool by Manish Malhotra High Jewellery. Fluid and slightly theatrical, the piece blended Polki diamonds and rose cuts, introducing a couture sensibility that softened the traditional undertones while adding editorial drama.

Three distinct design languages. One cohesive story.

What Rihanna demonstrated in Mumbai goes beyond styling—it signals a shift. Jewellery is no longer about perfectly matched suites; that idea feels increasingly dated. Instead, the focus is on curation—on creating tension and harmony at the same time. Heritage meets couture. Structure meets fluidity. Maximalism finds balance.

Each piece she wore stood confidently on its own. Yet together, they spoke a single, unified language.

In breaking the “set rule,” Rihanna didn’t just experiment—she redefined. The message is clear: modern jewellery styling isn’t about coordination anymore. It’s about identity.

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JewelBuzz is Asia’s First Digital Jewellery Media & India’s No.1 B2B Jewellery Magazine, published by AM Media House. Since 2016, we’ve been the trusted source for jewellery news, market trends, trade insights, exhibitions, podcasts, and brand stories, connecting jewellers, retailers, and industry professionals worldwide.

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