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De Beers Projects First-Half Loss Amid Inventory Sell-Off and Market Headwinds

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De Beers is expected to post a loss for the first half of 2025, as parent company Anglo American cites “stock rebalancing initiatives” that led to the sale of rough diamonds at reduced margins. The move aimed to offload out-of-balance inventory, sold at lower prices than originally purchased, according to the group’s latest production report.

“Accordingly, we expect to report negative underlying EBITDA for De Beers in the first half of 2025,” Anglo American stated.

Consolidated rough-diamond sales (excluding joint ventures) rose 14% year-on-year to $1.19 billion in Q2, despite a 7% drop in volume to 6.8 million carats. Total sales, including joint ventures, slipped 3% to 7.6 million carats. The company attributed the performance to targeted sales efforts during the quarter.

These “stock rebalancing” transactions — effectively quiet, low-margin deals with sight-holders — were confirmed by a De Beers spokesperson. “These transactions incurred lower margins as they were purchased in a higher price environment than they were sold at,” the spokesperson told.

Despite lower-margin deals, the average consolidated price per carat rose 23% year-on-year to $174 in Q2, reflecting strong demand for higher-value stones. However, De Beers’ rough-price index (which excludes the discounted inventory sales) dropped 13%, largely due to price reductions implemented at its December 2024 sight.

For the full first half of 2025, consolidated rough-diamond sales fell 13% to $1.71 billion. Volume dropped 8% to 11 million carats (consolidated), and 3% to 12.3 million carats overall. The average price per carat fell 5% to $155, with a 14% decrease in the price index offset partially by higher-value goods sold in Q2.

Anglo American noted continued weakness in rough-diamond trading during the first half of the year. While sentiment improved toward the end of Q1, the U.S. tariff announcement in April stalled polished-diamond activity.

Consumer demand for diamond jewelry remained “broadly stable,” contrasting with the strained conditions in the midstream.

In response to market pressures, De Beers slashed its Q2 production by 36% year-on-year to 4.1 million carats. First-half output declined 23% to 10.2 million carats. Despite this, the company has maintained its full-year 2025 production forecast at 20 to 23 million carats but said it will “respond accordingly” as conditions evolve.

These developments come amid Anglo American’s ongoing efforts to sell De Beers. On Wednesday, Botswana’s Minister of Minerals and Energy, Bogolo Kenewendo, stated the country’s intent to increase its ownership stake, seeking “full control over this strategic national asset and the entire value chain, including marketing.”

“A formal process for the sale of De Beers is advancing, despite the current challenging market conditions,” Anglo American confirmed.

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International News

Cartier Reimagines an Icon: The Ruby-Set ‘Juste un Clou’ Debuts for Lunar New Year

A Fusion of Industrial Rebellion and Festive Elegance Marks a Limited-Edition Celebration of Luck and Prosperity.

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In a bold intersection of high-fashion defiance and cultural tradition, Cartier has unveiled a limited-edition interpretation of its legendary Juste un Clou collection. This special release sees the iconic “nail” silhouette transformed with a festive row of vivid red rubies, launched specifically to commemorate the Lunar New Year.

Originally conceived in 1970s New York by designer Aldo Cipullo, the Juste un Clou has long been a symbol of the “rebellious spirit” and the elevation of the ordinary into the extraordinary. By integrating rubies—stones that traditionally symbolize luck, vitality, and renewal—Cartier effectively bridges its radical Western design heritage with the deep-rooted values of the East.

The collection features the signature wrap-around nail design in gold in bracelets, necklaces, earrings & rings with the “head” and “point” of the nail meticulously pavé-set with high-quality rubies. Industry experts view this move as a strategic masterstroke, as the “festive red” aesthetic continues to be a primary driver for luxury consumption during the spring transition.

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