DiamondBuzz
Prices of fancy-color diamonds show initial signs of market stabilization: Fancy Color Research Foundation
Fancy-color diamond prices dip 0.5% in Q2, but select categories signal early recovery: FCRF
Prices of fancy-color diamonds slid 0.5% in the second quarter, but upward price reversals in several sizes and intensities show initial signs of market stabilization, according to the Fancy Color Research Foundation (FCRF).
Pink prices dipped 0.4% compared with the previous quarter. However, the data points to optimism, with the hue comprising four of the top five climbers, the FCRF said last week. Fancy-vivid-pink diamonds weighing 1 carat increased the most — 1.8% — while 1-carat fancy-intense pinks rose 1.5% and 10-carat fancy-vivid pinks were up 1.2%. Fancy-vivid pinks weighing 5 carats stole the final slot on the climber list, with a 1.1% bump.
The fancy-blue segment slid 0.3%, marking an improvement from the 0.5% drop in the first quarter. The 1.50-carat, fancy-vivid blue category topped the list of climbers with a 1.5% increase. Meanwhile, fancy-blue diamonds weighing 8 carats improved by 0.7%, and 1.50-carat, fancy-blue stones held strong following a 0.3% fall in the first quarter.
Yellow fancy-color prices fell 0.7% and landed four of the “top five sliders” slots. Fancy-intense yellows weighing 3 carats fell 3%; 10-carat fancy yellows slid 2.6%; 2-carat, fancy-intense-yellow diamonds dipped 2.5%; and 1-carat fancy-intense yellows decreased 2.2%
Since the FCRF began collecting data in 2005, yellow-diamond prices have increased 48%, pink diamonds have risen 391%, and blue diamonds have grown 241%.
Relative to the same period last year, the index decreased 2.4% despite some subgroups experiencing growth. Pink diamonds fell 1.4% year on year, while fancy blues posted a 1.9% decrease, demonstrating relative stability. Yellows slid 5%.
DiamondBuzz
Raw Mango makes its debut at London Fashion Week Presented by De Beers Group featuring Forevermark Diamond Jewellery
The Fall Winter 2026 collection It’s Not About The Flower reinterprets the cultural symbolism of the garland on a global stage, presented by De Beers Group with Forevermark Diamond Jewellery celebrating heritage, provenance and contemporary craftsmanship.
At its inaugural show on an international stage, Raw Mango debuted their Fall Winter 2026 collection It’s Not About The Flower at London Fashion Week. Drawing inspiration from the ubiquitous garland—which is a humble, albeit important part of everyday life in South Asia—the collection blurs the line between decoration and that which is decorated. The focus with this collection shifts from the individual motif to the arrangement, from surface-level engagements to a deeper interrogation of value and beauty, from the flower to the garland.



Talking about the inspiration and emotional core behind the collection, designer and founder of Raw Mango Sanjay Garg says, “Flowers remain an important part of South-East Asia and South Asia. But we don’t really have a culture of giving one individual flower to someone, like, say, a rose on Valentine’s Day.” He continues, “As a culture, we are a country of garlands. Whether it’s a death, a birth, a wedding or a religious ritual, you see garlands, irrespective of the religion. It’s not about one individual flower; it’s about the plurality.”
With the show in London, the brand presents an indigenous idea of fashion that challenges convention and seeks to break away from stereotypes. “There is still a strong association between Indian fashion and a certain kind of aesthetic — heavy gold embroidery, and maximalist ensembles that overwhelm the eye and the body with ‘bling’,” says Sanjay.“Indian fashion is too often quantified – it’s not seen for its innate aesthetic value, but the number of hours it took a weaver to create a garment. It’s a surface-level engagement that sometimes drowns out the beauty of the weave itself.”
The garments and silhouettes offered interpretations of how a garland sits on the body. The flowers themselves were constructed in various non-traditional and silk-like fabrics, assembled or rolled by hand—each placed in delicate arrangements on lightly embroidered brocades, rib-knit cottons, quilted rayon and wool felt. Presented to an audience comprising influential voices across the worlds of fashion, business, entertainment and culture including artist Anoushka Shankar, former first lady of the UK Akshita Murthy, Film Director Gurinder Chadha, Actor Saim Ali, artist Cyrill Ibrahim, artist Lubna Chowdhary, Rahi Chadda, Founder of Openended Design – Suhair Khan, Art Collector and Philanthropist Aarti Lohia, Curator Tarini Malik, Creative Director Nikhil Mansata and Creative & Cultural Strategist Arooj Aftab, It’s Not About The Flower asked to be appreciated on its own terms.

Speaking to the significance of Raw Mango showing at London Fashion Week, Sanjay Garg responds, “Presenting here is as good as presenting in Kanpur for me. At the end of the day, it is the work being presented that matters. And that doesn’t change according to who is viewing it, or where. I’m less interested in defining my audience and more interested in further exploring and articulating my design language that can cater to different audiences that transcends borders and seasons.”
This laser-sharp focus on the work, rather than the accoutrements and requirements of fashion calendars, is what has defined Raw Mango’s approach to textile and culture over the past eighteen years. The brand builds on century-old skills to shape a new aesthetic vocabulary that is both contemporary and deeply rooted in local histories.
For its London Fashion Week presentation of It’s Not About The Flower, Raw Mango was presented by De Beers Group, with Forevermark Diamond Jewellery as the jewellery partner. United by a shared respect for provenance and craftsmanship, the collaboration underscores adornment as an expression of individuality, culture, and personal style.
Commenting on the partnership, Shweta Harit, Global Senior Vice President at De Beers Group and CEO of Forevermark, said: “As the jewellery partner, Forevermark Diamond Jewellery came together with Raw Mango through a shared commitment to authenticity, craftsmanship, and personal expression. Natural diamonds – rare creations of the earth, each inherently unique – reflected the same sense of individuality expressed through Raw Mango’s design language.

Presented by De Beers Group, the collaboration came together as a meeting of heritage, provenance, and contemporary creativity, where adornment felt like a true extension of identity.”
In a season dominated by conversations around conscious luxury and material honesty, the alignment was clear. Heritage is not a trend. Craft is not a spectacle. And like the enduring belief that a diamond is forever, true value lies in what time cannot erode.
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