International News
The Jewelry Symposium to spotlight AI, traceability, and sustainable practices
The Jewelry Symposium (TJS), formerly known as the Santa Fe Symposium, the premier international event for jewellery manufacturing technology, will convene at the Detroit Marriott Troy from 17-20 May 2025, with a focus on cutting-edge technologies and sustainability.
This year’s symposium will expand beyond its traditional focus on metallurgy and craftsmanship to address critical industry issues like responsible sourcing, AI integration, and advanced manufacturing processes.
“We had an unprecedented number of proposals and abstracts for 2025, and we are delighted that many of our respected presenters will be focusing on timely and important issues like sustainability and technology,” says Linus Drogs, TJS Chairman of the Board. “We are grateful to the experts who will be sharing the latest information on CAD, AI, and additive manufacturing (3-D printing), as well as the group of professionals focused on sustainability related to a responsible supply chain and the tracing of coloured gemstones.”
The symposium will feature presentations from leading experts worldwide, catering to a diverse audience of bench jewellers, designers, manufacturers, students, retailers, and press. Among the technology-focused sessions, Scott Bradford of Gesswein will explore CAD techniques and software for enhanced jewellery design, while Jenny Luker of the Platinum Guild International (PGI) will unveil a new platinum alloy. Consultant Anne Miller will delve into the potential of generative AI, and Joseph Strauss of HJE Company, Inc. will discuss advancements in sinter-based 3-D printing.
Sustainability and ethical sourcing will also take centre stage, with Eric Branwaurt of Columbia Gem House and consultant Frank Cooper examining the traceability of coloured gemstones.
International News
Sabyasachi, The Metropolitan Museum Of Art Partnered For A Multi-Year Collaboration
The Line Bridges Historic Met Artifacts With Modern Luxury, Weaving Human Themes Of Love, Mortality, and Family Into Extravagant High Jewelry.
Nearly two decades after making his New York runway debut, renowned Indian designer Sabyasachi Mukherjee is set to return to New York Fashion Week on September 15, 2026, unveiling the first chapter of a multi-year collaboration with The Metropolitan Museum of Art (The Met).
The partnership will debut with an exclusive six-piece high jewellery collection inspired by the museum’s extraordinary holdings of art, sculpture and material culture. The collection reflects Sabyasachi’s belief that history is not static, but continues to evolve as it travels across cultures and generations.



Comprising three necklaces, two wrist cuffs and a pair of earrings, the collection draws from Byzantine and Roman influences while translating historic iconography into contemporary luxury. Crafted in 18k and 22k gold, the pieces feature round brilliant-cut diamonds alongside jade, tourmaline, lapis lazuli, jasper and onyx.
The designs take inspiration from Imperial Roman statuary, ancient medallions and religious artefacts housed in The Met. Among the standout creations is a pendant necklace based on an Imperial Roman marble sculpture depicting a family, inspired by a 2nd–3rd century CE Roman funerary relief from Thrace. Another notable piece is an asymmetrical tiger-claw necklace influenced by the intricate decoration of a 12th-century casket.
Rather than simply recreating historical objects, Sabyasachi reinterprets them through the lens of modern high jewellery, weaving universal themes such as love, mortality and family into each creation.


The New York presentation marks the beginning of a long-term creative dialogue between Sabyasachi and The Met, bringing together Indian design sensibilities and one of the world’s most celebrated museum collections in a collaboration that bridges heritage, craftsmanship and contemporary luxury.
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