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The Jewelry Symposium to spotlight AI, traceability, and sustainable practices

The Jewelry Symposium (TJS), formerly known as the Santa Fe Symposium, the premier international event for jewellery manufacturing technology, will convene at the Detroit Marriott Troy from 17-20 May 2025, with a focus on cutting-edge technologies and sustainability.

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This year’s symposium will expand beyond its traditional focus on metallurgy and craftsmanship to address critical industry issues like responsible sourcing, AI integration, and advanced manufacturing processes.

“We had an unprecedented number of proposals and abstracts for 2025, and we are delighted that many of our respected presenters will be focusing on timely and important issues like sustainability and technology,” says Linus Drogs, TJS Chairman of the Board. “We are grateful to the experts who will be sharing the latest information on CAD, AI, and additive manufacturing (3-D printing), as well as the group of professionals focused on sustainability related to a responsible supply chain and the tracing of coloured gemstones.”

The symposium will feature presentations from leading experts worldwide, catering to a diverse audience of bench jewellers, designers, manufacturers, students, retailers, and press. Among the technology-focused sessions, Scott Bradford of Gesswein will explore CAD techniques and software for enhanced jewellery design, while Jenny Luker of the Platinum Guild International (PGI) will unveil a new platinum alloy. Consultant Anne Miller will delve into the potential of generative AI, and Joseph Strauss of HJE Company, Inc. will discuss advancements in sinter-based 3-D printing.

Sustainability and ethical sourcing will also take centre stage, with Eric Branwaurt of Columbia Gem House and consultant Frank Cooper examining the traceability of coloured gemstones.

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The Met Goes Desi: Inside Sabyasachi’s Showstopping Diwali Dhamaka  in New York

Sabyasachi transformed the grand museum halls into a lavish celebration of Indian heritage and global luxury. The decor was a masterclass in maximalist artistry.

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On October 21, Indian craftsmanship, high fashion, and luminous festive spirit converged at New York City’s Metropolitan Museum of Art as designer Sabyasachi Mukherjee hosted a grand Diwali gathering at one of the world’s most prestigious cultural landmarks.

Where the legendary Met Gala annually redefines Western fashion, Sabyasachi transformed the grand museum halls into a lavish celebration of Indian heritage and global luxury. Waiters in vermilion safas moved gracefully beneath the Tiffany loggia, while a jazz ensemble set a soulful tone for an evening where traditional grandeur met modern elegance.

The decor was a masterclass in maximalist artistry. Rich autumn hues, dramatic floral arrangements, cascading pomegranates, and a extraordinarily lifelike peacock installation turned the venue into a lush, garden-inspired masterpiece. At the center sat an opulent, 16-foot grazing table draped in brocade, showcasing a feast that seamlessly paired international delicacies with traditional Indian mithai.

Rani Mukerji: quiet sparkle

Actor Rani Mukerji, a longtime muse and close friend, turned heads in a fluid, gunmetal satin saree edged with subtle crystal, paired with a matching sleeveless blouse, oversized black frames, and a sparkling silver clutch. She paired her liquid-grey satin saree with deliberately understated jewellery: delicate drop earrings, layered bracelets and a metallic wristwatch. The effect was polished rather than ornate, letting the saree’s sheen and her bold black square glasses carry the styling.

Her silver-embellished mini chain bag added the evening’s main hit of sparkle, making the look a strong example of contemporary festive minimalism—ideal for a museum setting where the outfit needed to feel elegant without competing with the art.

Masaba Gupta: colour-led statement

Masaba Gupta chose the evening’s most jewellery-forward look: a multicoloured gemstone statement necklace from the House of Masaba x Amrapali collaboration, reportedly the “Trinket Hoarder” neckpiece in 18-karat antique-finish gold, diamonds and mixed colourful gemstones.

She balanced the vibrant choker with large gold sunburst earrings, a sleek centre-parted bun, black sunglasses and Sabyasachi’s maroon tiger-emblem clutch. The jewellery gave her ivory-and-crimson “laal paar”-inspired ensemble a distinctly maximal, heritage-meets-pop edge.

The wider Jewellery mood

Guests broadly favoured rich Indian craft codes—brocade jackets, sequined sarees, lehengas and embellished Sabyasachi layers—while accessories ranged from subtle metallic accents to bold gem-set neckpieces. Sabyasachi’s signature Pineapple bag, handcrafted with metalwork, stone or crystal inlay and bead or sequin detailing, reinforced the party’s jewellery-adjacent luxury language.

The Met celebration signalled a shift in high-profile Diwali dressing: instead of layered traditional gold, the standout formula was either one exceptional gemstone statement or clean metallic minimalism, with craft-led bags and eyewear used as styling punctuation.

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JewelBuzz is Asia’s First Digital Jewellery Media & India’s No.1 B2B Jewellery Magazine, published by AM Media House. Since 2016, we’ve been the trusted source for jewellery news, market trends, trade insights, exhibitions, podcasts, and brand stories, connecting jewellers, retailers, and industry professionals worldwide.

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