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Pomellato Celebrates Cannes Boutique Launch During Film Festival with Star-Studded Cocktail Event

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Luxury Italian jeweller Pomellato unveiled its elegant new boutique in Cannes last week, marking the occasion with an exclusive cocktail party during the Cannes Film Festival. Among the high-profile guests was Alessandra Ambrosio, joined by model Maria Borges, Brazilian actress and singer Anttonia, and friends of the brand from across the French Riviera.

Designed to reflect Milanese elegance, the boutique offers a refined yet inviting retail experience. The interior features raw silk panels by Misha Milano, custom cast-glass wall sconces by design studio 6:AM, and Botolo chairs in Pomellato’s signature Montenapoleone red, designed by trailblazing female architect Cini Boeri.

Pink marble counters pay tribute to Milan’s iconic Duomo, while rounded architectural details create a warm ambiance. The boutique also houses a private salon adorned with artwork by Nicolò Quirico and a bespoke carpet inspired by the work of designer Fede Cheti, celebrating Milan’s design heritage and the contributions of female creatives.

The new location showcases Pomellato’s signature collections including Nudo, Iconica, Catene, and standout high jewellery creations, offering a luxurious destination for jewellery lovers in the heart of Cannes.

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International News

Fluorescent Diamonds: GIA to Introduce Clearer Guidance

According to GIA, around 25% to 35% of all diamonds show some level of fluorescence. Greater transparency about this significant segment of the market could help improve confidence among both consumers and the jewellery trade.

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Later this year, the Gemological Institute of America (GIA) will introduce new wording in its diamond grading reports to reduce confusion about fluorescent diamonds. The update, expected in the fourth quarter, is one of the most important steps taken by a grading laboratory to explain this feature more clearly to both the jewellery trade and consumers.

Rapaport Intelligence Report explores what this change could mean for the diamond market. Fluorescence has had a long and complicated history. In the past, fluorescent diamonds often sold at premium prices. However, attitudes changed during the diamond boom of the 1970s and again after a grading controversy in South Korea in the early 1990s. Although later gemological research helped improve confidence in fluorescent diamonds, many buyers still view them negatively, and they often sell at discounted prices.

The report also looks at how these discounts have changed over the past six years through both strong and weak market conditions. In addition, the report explains two key questions: how fluorescence affects a diamond’s appearance and whether it influences its color grade. It also considers whether GIA’s new report comments could change how buyers view fluorescent diamonds.

The report revisits a long-debated issue—does fluorescence really affect a diamond’s beauty, or are today’s concerns mainly based on old perceptions that continue to influence buying decisions?

According to GIA, around 25% to 35% of all diamonds show some level of fluorescence. Greater transparency about this significant segment of the market could help improve confidence among both consumers and the jewellery trade.

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