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India tries to halt Sotheby’s auction of Piprahwa gems found with Buddha’s remains

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The Indian government has issued a legal notice to halt the “unethical” auction by Sothebys of ancient gem relics, which it said should be treated as the sacred body of the Buddha.The auction, which has prompted an outcry from scholars and monastic leaders, is scheduled for 7 May, and the gems are expected to sell for about HK$100m (£9.7m).

Its ministry of culture said the auction of the Piprahwa gems in Hong Kong this week “violates Indian and international laws, as well as United Nations conventions”, and demanded their repatriation to India “for preservation and religious veneration”.

The legal notice has been served on Sotheby’s Hong Kong and Chris Peppé, one of three heirs of William Claxton Peppé, a British colonial landowner who in 1898 excavated the gems on his estate in northern India, who are selling the relics.

Unearthed in 1898 by British estate manager and engineer William Claxton Peppé, the relics were discovered inside a sandstone coffer within the Piprahwa stupa, widely believed to be the ancient city of Kapilavastu, the Buddha’s childhood home. Among the contents were five reliquaries, including one of rock crystal with a fish-form handle, containing nearly 1,800 gemstones, precious metal sheets, bone, and ash.

An inscription in late Mauryan Brahmi script—deciphered by scholars Vincent Smith and later Harry Falk—affirmed the relics belonged to the Shakya clan and held the corporeal remains of the Historical Buddha. This epigraphic evidence, combined with early Pali texts like the Mahāparinibbāna-sutta, makes Piprahwa the only authenticated site of Buddha’s relics confirmed through inscription.

Following the discovery, a portion of the relics was presented to King Rama V of Siam (Thailand), and enshrined at Wat Saket in Bangkok, Shwedagon Pagoda in Yangon, and in Sri Lanka. The Indian Museum in Kolkata holds the majority of the gemstones, but the Peppé family retained a portion—approximately one-fifth—which is now coming to market.

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Van Cleef & Arpels Gives Its Iconic Alhambra a Pink Enamel Makeover

The Maison Introduces Five New Alhambra Creations Featuring Translucent Pink Enamel and Yellow Gold

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Van Cleef & Arpels has unveiled a vibrant new chapter for its iconic Alhambra collection, introducing translucent pink enamel to the signature four-leaf clover motif for the first time. The new creations combine the Maison’s emblem of luck with yellow gold, bringing a fresh, contemporary expression to the enduring design.

The new five-piece selection comprises a Vintage Alhambra pendant, five-motif bracelet, 10-motif necklace, 20-motif long necklace and Magic Alhambra two-motif earrings. The earrings additionally feature guilloché yellow gold, adding texture and contrast to the pink enamel.

The distinctive pink is the result of several years of research at Van Cleef & Arpels’ enamel workshops. Inspired by the historic 17th-century “gold-ruby” technique, the colour is created using fine particles of gold rather than traditional pigments. Carefully controlled particle size, shape and concentration produce the desired translucent hue.

Adding to its visual depth, the enamel contains tiny bubbles, giving each Alhambra motif a distinctive character while creating subtle variations as the surface catches and reflects light. The motifs are framed by the Maison’s signature gold beaded contours, further enhancing the interplay between the pink enamel and yellow gold.

Since its debut in 1968, Alhambra has continually evolved through different stones, materials and colours while retaining its instantly recognisable four-leaf clover silhouette. The introduction of enamel marks another significant step in that evolution, bringing together heritage craftsmanship, technical innovation and contemporary colour.

With its new pink interpretation, Van Cleef & Arpels continues to reinvent one of jewellery’s most recognisable motifs, demonstrating how traditional savoir-faire can give a familiar icon an entirely new expression.

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