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GEMS & JEWELLERY BANKING SUMMIT 

The GEMS & JEWELLERY BANKING SUMMIT held in Mumbai addressed the critical issue of perceived lack of transparency in the GJ industry, due to which bankers are reluctant to finance GJ businesses to a large extent. The industry is facing challenges such as higher interest rates on business loans, lack of transparency on the banking policy, and limited access to bank loans. 

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Avenues explored for enhancing access to finance, fostering entrepreneurship and catalysing digital transformation

The GEMS & JEWELLERY BANKING SUMMIT held in Mumbai addressed the critical issue of perceived lack of transparency in the GJ industry, due to which bankers are reluctant to finance GJ businesses to a large extent. The industry is facing challenges such as higher interest rates on business loans, lack of transparency on the banking policy, and limited access to bank loans. 

The Gems & Jewellery Banking Summit was inaugurated at the Jio World Convention Centre, Mumbai .Present at the inauguration were Sachin Jain, CEO -WGC, Saiyam Mehra, Chairman -GJC, Rajesh Rokde, Vice Chairman-GJC ,Ravi Prakash Agarwal, Director-GJC and Convenor – Gems & Jewellery Banking Summit, Sunny Dholakia, Co Convenor -Gems & Jewellery Banking Summit, committee members of GJC and dignitaries of the GJ industry and banking & finance sector.

Gems & Jewellery Banking Summit, an initiative of GJC, is presented by WGC. The Summit is powered by ShreeKunj- Kolkata and supported by Banglore Refinery, Mukti Gold , Yes Bank and Laxmi Diamonds, Bengaluru.

The GJ sector communicated to the banks and financial institutions that they want to be treated like any other mature sector. Saiyam Mehra,Chairman- GJC in his inaugural welcome address said “Like other industries, GJ sector is also transforming. The GJ sector is requesting all bankers to treat GJ industry on par with other industries; keep interest rates at 8-9 % with a spread of 0-1%. Additionally the industry is seeking easier policies and facilitation for EMI based buying facilities for end-consumers, credit card swiping interest rates and EDC/POS machine implementation in every retail showroom.”

An advantage of dealing with GJ SECTOR was underscored at the summit::This industry not only provides sales profit but also benefits from price increases. Gold prices rarely decrease, so the increased price profit is also shared with the bankers. Furthermore, the domestic G&J sector has a unique modus operandi, requiring proper KYC of the end consumer, creating a database for more transparency in the sector.

Leading players from the GJ and banking sectors held intensive panel discussions. The session on Strength of the GJ industry: Financing opportunities for Bankers & Building resilience in the GJ industry pointed out that for a long time banks viewed the GJ sector with scepticism. But, there has been a change in the relationship with industry getting organized, especially post the Gold Control Act. There was a unanimous opinion that compliance, governance, ethical and efficient accounting were key to building a reputation as an ethical player. It was essential to share data with banks, maintain accounts and meticulous documentation.

In Understanding of Financial Tools for Jewellery Industry the panelists underscored the importance of taking advantage of facilities offered by banks if one wishes to grow. It is imperative to get a credit rating for one’s business. Finance is based on data, not just on collaterals. There was an intense discussion on the features and modalities of gold metal loan including the fact it is an affordable way of funding and that it is a pure hedge. There were various suggestions from the panel and the audience on how the GML could be streamlined and contributed to ease of doing business.

In the Banking strategy to revitalize and empower session panellists concurred that  jewellery industry must take cognizance of the fact that to grow and expand one cannot rely on internal accruals; one has to avail of the funds and products available from banks. The panel concurred that there was lack of awareness on why one should avail of credit – especially against a rising asset like gold.A large percentage of jewellers don’t want to take a loan or don’t get loans because of improper financial statements and documentation. 

The panellists in the session Risk Management Mechanism stressed on understanding and respecting regulations and laws of the land .Ratings and credit scores that demonstrate creditworthiness are crucial. It is important to understand that banks don’t wish to place any hindrances, they just work within regulatory and risk management guidelines. Compliance and transparency will be crucial in upliftment of the GJ industry.

The summit concluded on a positive note with both parties keen on continuing the conversation. As Sachin Jain stated that we may not have all the answers and solutions at the end of the summit, but it is encouraging that we have commenced a dialogue.

The next edition of the GEMS & JEWELLERY BANKING SUMMIT is scheduled for 17 May 2025.

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Puneet Gupta Explores A New Luxury Landscape Where Jewellery and Accessories Transcend Adornment To Become Collectible Objects Of Craftsmanship, Individuality and Storytelling

PUNEET GUPTA | PUNEET GUPTA CRAFTED FINE GOODS

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THE NEW LANGUAGE OF LUXURY

Luxury is moving beyond the idea of an accessory being simply beautiful, precious or recognisable. We are increasingly entering a space where jewellery and accessories are being viewed as art objects in their own right—pieces that have a strong point of view, a sense of craftsmanship and, most importantly, a story to tell.

At Puneet Gupta Crafted Fine Goods, this is a space that interests me deeply. With our demi-fine jewellery, we approach a ring, cuff, pendant or pair of earrings almost as a miniature sculpture. The intention is not merely to adorn the wearer, but to create an object with enough character to become part of their personal collection.

“The intention is not merely to adorn the wearer, but to create an object with enough character to become part of their personal collection.”

Our fascination with archaeology, natural forms, Indian craft traditions and aged textures allows us to create pieces that feel as though they have been discovered rather than simply manufactured.

FROM CONSUMER TO COLLECTOR

I think this is particularly relevant to the new generation of luxury consumers. They are becoming less interested in buying something simply because it is expensive and more interested in why it exists—what inspired it, who made it, what material it uses and what makes it different. There is a growing appetite for pieces with individuality rather than obvious uniformity.

This movement extends beautifully into accessories beyond conventional jewellery. Sculptural metal bags, statement brooches and embellished wearable objects are increasingly occupying the space between fashion and art.

A metal bag, for instance, can function as an accessory but also as a small piece of industrial sculpture. A brooch can become a personal emblem rather than merely an embellishment pinned to a garment.

These objects invite a different kind of relationship with the wearer—they can be collected, styled, displayed and eventually passed on.

INDIAN CRAFTSMANSHIP, REIMAGINED

I also believe that Indian craftsmanship has an important role to play in this evolution. Our artisans possess centuries of knowledge around metalwork, embroidery, carving, surface treatment and ornamentation.

The opportunity today is not to reproduce traditional objects, but to take that knowledge and reinterpret it through a contemporary design language.

“The opportunity today is not to reproduce traditional objects, but to take that knowledge and reinterpret it through a contemporary design language.”

WHEN VALUE BECOMES EMOTIONAL

Perhaps the most interesting shift is that value is becoming more emotional and intellectual. A piece does not have to be made entirely of precious materials to feel luxurious. It can derive its value from the originality of its design, the hand that made it, the story behind it and the fact that it feels unlike anything else.

The future of luxury, therefore, may belong to the conscious collector—someone who buys fewer accessories but chooses pieces that have a life beyond a single season.

Jewellery, bags and brooches become more than things we wear. They become objects we discover, live with and eventually leave behind.

The next chapter of luxury may not be about owning more—it may be about owning pieces that mean more.

As consumers seek authenticity, craftsmanship and individuality, the line between jewellery, fashion and art is becoming increasingly fluid. The emerging luxury collector is not simply buying an accessory; they are acquiring an object with a story, a point of view and the potential to outlive a trend.

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JewelBuzz is Asia’s First Digital Jewellery Media & India’s No.1 B2B Jewellery Magazine, published by AM Media House. Since 2016, we’ve been the trusted source for jewellery news, market trends, trade insights, exhibitions, podcasts, and brand stories, connecting jewellers, retailers, and industry professionals worldwide.

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