GlamBuzz
Shweana Poy Raiturcar Weds Vikram Salgaocar in ₹1 Crore Metallic Kasab Lehenga
A no-fabric bridal ensemble by JADE by MK revives rare Mughal-era craftsmanship in a luminous display of jewellery-like couture.
Mukesh Ambani’s nephew, Vikram Salgaocar, recently got married to luxury brand founder Shweana Poy Raiturcar. Jewellery designer Shweana Poy Raiturcar made a historic bridal statement during her wedding, drawing widespread attention for a lehenga unlike any other. Designed by Monica Shah of JADE by MK, the ensemble was not created from conventional fabric but constructed entirely from metallic threads using the rare Mughal-era Kasab technique.



Crafted in 1,500+ hours and rooted in the 40-year legacy of Chanakya International, the lehenga dissolved the very idea of textile. Rose gold, gold and antique gold metallic strands were intricately handwoven to form a structured, luminous jaal that moved like molten metal yet held its sculptural form like armour.
Featuring hand-cut peacock motifs, intricate interlacing, and architectural detailing, the estimated ₹1 crore creation blurred the line between couture and high jewellery. Rather than embellishment layered onto fabric, this was jewellery translated into silhouette — a powerful bridal moment that fused heritage craftsmanship with contemporary luxury.
GlamBuzz
Rihanna Rewrites the Jewellery Rulebook at Fenty Beauty’s India Debut
In Mumbai, the global icon ditches matchy sets for a bold, curated mix of Indian heritage and high-fashion statements.
When Rihanna arrived in Mumbai for the India launch of Fenty Beauty, she didn’t just make an appearance—she staged a masterclass in modern styling.


The 38-year-old global icon moved seamlessly between two distinct looks across the day, each carrying its own mood and message. For the official launch, she leaned into a soft, feminine aesthetic with a monochrome olive-green ensemble. By night, she pivoted sharply, stepping out in a sleek black dress that dialled up the glamour and edge.
But it wasn’t just the wardrobe changes that caught attention—it was the jewellery. Rihanna skipped the traditional route of wearing a coordinated set and instead curated a layered narrative using pieces from some of India’s most storied and contemporary design houses.
Earrings by Birdhichand Ghanshyamdas:

Her earrings, by Birdhichand Ghanshyamdas, brought a sense of classic regality—rooted, timeless, and quietly commanding. Acting as the anchor, they carried the weight of heritage without overwhelming the look.
Bangles & Rings by Sabyasachi:
On her hands, the interplay continued. Bangles and rings from Sabyasachi Jewellery added a textured, expressive dimension. Studded with tourmalines and layered with intent, these pieces leaned into expressive luxury—bold, unapologetic, and full of personality.

Haath Phool by Manish Malhotra High Jewellery:

Then came the twist: a haath phool by Manish Malhotra High Jewellery. Fluid and slightly theatrical, the piece blended Polki diamonds and rose cuts, introducing a couture sensibility that softened the traditional undertones while adding editorial drama.
Three distinct design languages. One cohesive story.
What Rihanna demonstrated in Mumbai goes beyond styling—it signals a shift. Jewellery is no longer about perfectly matched suites; that idea feels increasingly dated. Instead, the focus is on curation—on creating tension and harmony at the same time. Heritage meets couture. Structure meets fluidity. Maximalism finds balance.



Each piece she wore stood confidently on its own. Yet together, they spoke a single, unified language.
In breaking the “set rule,” Rihanna didn’t just experiment—she redefined. The message is clear: modern jewellery styling isn’t about coordination anymore. It’s about identity.
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