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Expert Panel at Jewellery and Gem WORLD Hong Kong Upholds the Platinum Advantage Amid Global Surge in Demand

Price Differential, Product Diversification and Technical Advances Fuelling Growth

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A distinguished international panel of jewellery experts highlighted platinum’s present and distinct advantages of price and technical brilliance at Jewellery & Gem WORLD Hong Kong 2025. Presented by Platinum Guild International (PGI) on Friday, 19 September 2025 as part of the prestigious five-day trade show, the event advocated capitalising on platinum’s strong business potential as the cost of gold soars and innovation opens new avenues for expansion into emerging markets and varied product lines.

A significant price differential with gold is fuelling the growing global demand for platinum. However, as the panel speakers affirmed, this is far from platinum’s sole advantage. The role of exploring new consumer segments, developing new technology like electroforming and novel alloys, and establishing a digital footprint for sourcing are among the factors enhancing its intrinsic strength, resilience and shine.

The PGI panel was a key draw of the annual jewellery fair, held at the Hong Kong Convention & Exhibition Centre, and this year welcomed the largest representation of platinum jewellery in a decade. PGI also hosted the Platinum Pavilion, showcasing cutting-edge collections by producers in China and India, and co-sponsored “Sublime Shine: Metal Innovation in the Art of Jewellery”, a large-scale exhibition detailing the alloy’s achievements in ethical sourcing and technical ingenuity.

Titled “The Platinum Advantage: Markets, Business and Innovation”, the hour-long panel discussion attracted a packed crowd at the Grand Hall Main Stage, including honoured guests Gaetano Cavalieri, President of the World Jewellery Confederation (CIBJO), and Likui Zhang, Deputy General Secretary of the Gems & Jewelry Trade Association of China (GAC). Moderated by PGI’s Global Director of Innovation and Product Development, Tai Wong, the insightful exchange underlined platinum’s value as a priority choice for jewellery manufacturers, and suggested strategies to boost platinum portfolios beyond the traditional bridal ring segment and established geographical regions.

Reflecting both the current global surge in platinum’s allure and the industry’s diversity, the panel united industry leaders from Asia, Oceania and America. It comprised Andy Zhou of Kingli Group in China, Avinash Pahuja of ORO Precious Metals Pvt Ltd from India, Jason Brimelow of Brimelow Group operating in Australia and Southeast Asia, Josh Helmich of Helmich Luxury Group in the USA, and Noriyuki Kamei from Kuwayama Corporation based in Japan. Speakers noted that platinum is now poised to gain market share in other product areas, particularly men’s jewellery, and is penetrating territories traditionally dominated by gold. Emerging markets in Asia and the Middle East are deemed ripe for investment.

Zhou perceived a shift in focus towards platinum at the fair, spurred by high gold prices. Invigorated by the interest shown in new technology from Japan and Italy adopted by Kingli, he was bullish about the future of platinum exports from China. Pahuja spoke glowingly of India’s growing appreciation of platinum and outlined compelling new opportunities in Bangladesh and the UAE, with the latter serving as a conduit to supply other markets.

Kamei, similarly, noted the growth potential outside Kuwayama’s home market, especially in India, Indonesia, Malaysia and the Middle East. Brimelow concurred, pointing to the historic opportunity to open the platinum market in Southeast Asia, where wearable gold has been preferred but sentiment is now swinging to jewellery for adornment, driven by younger, internationally minded consumers.

The panel also spotlighted the benefits of product diversification. For instance, Kuwayama’s strategy of expanding product offerings beyond chains and bridal rings to men’s and fashion jewellery, and ORO’s move into highly engineered products that include mixed materials, bi-metal, and mechanised components are gaining traction and momentum in sales.

Helmich offered insights into the impacts of US trade tariffs on the global jewellery market, noting that industry players have started to diversify their export market beyond the US, such as to Europe, the Middle East and Southeast Asia. To facilitate the transition from gold to platinum, he called for greater understanding of manufacturing advancements, and further emphasis at the retail level of platinum’s unique attributes, such as its superiority in holding diamonds.

The “Sublime Shine: Metal Innovation in the Art of Jewellery” exhibition, which offered evidence of platinum’s beneficial facets, was viewed by more than 900 fair visitors per day. Underscoring that technological innovation is the key to scaling platinum jewellery production, the 430-square-metre display featured updates on Digital Product Passports (DPP) and blockchain-based traceability ­– vital to meet consumers’ demands for transparency and sustainability. A separate showcase for men’s jewellery also proved popular.

Melding technology and aesthetics, PGI’s Platinum Pavilion presented outstanding creations by six innovative producers from China and India: B.N. Jewellers India; Guangdong Jinbotong Technology Co Ltd; Jewelex India; Kingli JewelryKinch Jewelry; and ORO Precious Metals. Other platinum powerhouses from Asia and Europe, including egf – Eduard G. Fidel, Kuwayama Corporation, Nagahori Corporation, Schofer Germany, and Shenzhen Longjia Jewelry, showed their collections elsewhere at the fair.

PGI’s Global Director of Innovation and Product Development, Tai Wong, who served as the panel discussion moderator, spotlighted the acceleration in platinum innovation over the past few years, and the product diversification generating new segment growth.

“We had the largest representation of platinum at the Jewellery & Gem WORLD Hong Kong show in a decade, and made new connections every day at the show for retailers and manufacturers to enter into platinum production. The advantage of platinum to create new incremental business is front and centre.” said PGI’s Tai Wong.

“Driven by the increasing price delta with gold, and supported by new technology, platinum is in a strong position to create better business in traditional bridal jewellery, as well as capture new market opportunities with new products for new consumer segments. By promoting new technology, product development and education in marketing, PGI collaborates with our global trade partners to enhance profitability and efficiency in the transition of their white metal business to platinum.”

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Bvlgari’s Lucia Silvestri Gives Away Top Honours at The Artisan Jewellery Design Awards 2026

Global Design Vision Meets Indian Craftsmanship as Artisan Awards 2026 Celebrates Innovation and Heritage

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The 9th edition of the Artisan Jewellery Design Awards 2026, organised by the Gem & Jewellery Export Promotion Council (GJEPC) and curated by The Futurist, concluded in Mumbai on April 8, bringing together the finest expressions of creativity, craftsmanship, and innovation in jewellery design.

The Artisan Awards 2026 were powered by GIA and supported by the World Gold Council.

Held in the distinguished presence of Lucia Silvestri, Creative Director & Gems Buying Director, Bvlgari; Amedeo Scognamiglio, Founder & Creative Director, RFMAS Jewellery Group; Dr. Annapurna Garimella, Art Historian & Designer; Siddharth Kasliwal, Founder, Gem Palace; Milan Chokshi, Founder, Moksh; Amit Pratihari, Managing Director, GIA India; and Paola De Luca, Creative Director & Trend Forecaster, and Curator of the Artisan Awards.

From GJEPC, the event was attended by Kirit Bhansali, Chairman; Shaunak Parikh, Vice Chairman; Ashish Borda, Convener – Promotions, Marketing & Business Development; Jayanti Savaliya, Regional Chairman – Gujarat; Vijay Mangukiya, Convener – International Exhibitions; Mansukh Kothari, Convener – Events; and Sabyasachi Ray, Executive Director.

Instituted in 2014, the Artisan Awards has evolved into one of the industry’s most prestigious design-led platforms—encouraging originality, nurturing creative talent, and supporting India’s journey from a manufacturing powerhouse to a global design destination.

This year’s theme, “Quantum Couture: Re-engineering Beauty and Cultural Codes,” explored a powerful shift in how jewellery is conceived and experienced—where heritage is not just preserved, but reinterpreted for a new era.

Through three creative directions—Embroidery, Micro-Painting, and Poetic Layers—designers presented jewellery that is fluid, expressive, and deeply conceptual, blending traditional craftsmanship with technology, storytelling, and contemporary design thinking.

Embroidery reimagined textile traditions as structure, where elements like lace, thread, and brocade were translated into metal and gemstones. Techniques such as filigree and jali evolved into intricate frameworks, creating pieces that felt layered, lightweight, and architectural.

Micro-Painting celebrated precision and storytelling at a miniature scale—drawing from heritage crafts like meenakari and miniature art. Each piece became a detailed narrative, where craftsmanship, symbolism, and technique came together to create intimate and meaningful expressions.

Poetic Layers explored jewellery as a multi-dimensional form—where nature, emotion, and structure intertwined. Through organic shapes and layered compositions, designers created pieces that felt fluid, sculptural, and deeply expressive.

With over 550 entries, the competition culminated in 27 finalists, whose ideas were brought to life by leading manufacturers, highlighting the seamless synergy between design innovation and manufacturing excellence.

Importantly, the journey of these creations does not end here. The 27 winning pieces will go on to be showcased at leading international platforms such as JCK Las Vegas, Vicenzaoro, IIJS Bharat Mumbai, SAJEX in Saudi Arabia, and other leading trade shows—taking the brilliance of Indian jewellery design to a wider global audience and reinforcing India’s growing presence in design-led jewellery.

Kirit Bhansali, Chairman, GJEPC, said

“India has long been recognised as a manufacturing powerhouse, but the next phase of growth lies in becoming a global design destination. Platforms like the Artisan Awards play a crucial role in encouraging original thinking and shaping the future identity of Indian jewellery.”

Lucia Silvestri, Jewellery Creative & Gems Buying Director, Bvlgari, Said:

“I have always been deeply fascinated by India’s extraordinary heritage in jewellery, a tradition that is incredibly rich in craftsmanship, symbolism, and artistry. There is a profound sense of history and culture embedded in every detail, which makes it a constant source of inspiration for me. Having reviewed the design sketches, I was particularly struck by the way this heritage is being reinterpreted through a contemporary lens. There is a beautiful balance between tradition and innovation, where legacy meets modern creativity.”

Paola De Luca, Creative Director & Strategist, The Futurist LLC, Said:

“I am honoured to be part of India’s enduring legacy of jewellery and craftsmanship. India continues to inspire the world of jewellery, now empowering a new wave of creative voices and future icons. From heritage to horizon, India fuels the next generation of jewellery designers redefining global aesthetics.”

Ashish Borda, Convener, Promotions & Marketing, GJEPC, said:

“With over 550 entries responding to the theme of Quantum Couture, we witnessed bold imagination and fresh interpretations. Designers embraced heritage as a foundation to create something distinctly modern, reflecting the growing maturity of the talent pool. Through platforms like the Artisan Awards, GJEPC remains committed to nurturing design innovation and strengthening India’s position in high-value, design-led jewellery.”

The awards were adjudicated by an eminent jury comprising Lucia Silvestri, Creative Director & Gems Buying Director, Bvlgari;  Amedeo Scognamiglio, Founder & Creative Director, RFMAS Jewellery Group; Dr Annapurna Garimella, Art Historian & Designer; Siddharth Kasliwal, Founder, Gem Palace; and Milan Chokshi, Founder, Moksh.

Amedeo Scognamiglio, Founder & Creative Director, RFMAS Jewellery Group, said:

My personal journey is rooted in a multi-generational Italian family tradition of craftsmanship, where technique is inherited, refined, and respected. At the same time, I have always felt the need to challenge that legacy through a contemporary design language of my own. This duality is exactly why the Artisan Awards resonate with me. The designers I reviewed carry the same weight of heritage, but also the courage to evolve it — and that is where true creativity lives. I see in them the younger me.”

Dr Annapurna Garimella, Art Historian & Designer, said:

Refined, ebullient, or wild — craft from India, especially in precious materials, has seduced the connoisseurs of the world for centuries. As an art historian, I am intrigued by the way historic and contemporary makers think through concept, purpose and material. As a designer working with artisan-designers and craftspeople, I am also seduced by the transmission and transformation of historic skills and knowledge. The Artisan Awards allow me to closely observe how other designers work, and it excites me to think about how they visualise concepts and realise them.”

Siddharth Kasliwal, Founder, Gem Palace, Said:

“What really stood out to me while judging at the Artisan Awards was the sheer fearlessness in creativity. There was a beautiful balance—designs that respected tradition, yet weren’t afraid to push boundaries and explore something new. That’s exactly the kind of mindset our industry needs today. Platforms like the Artisan Awards play such an important role in encouraging artisans and designers to think bigger, take risks, and evolve. It’s genuinely exciting to see this level of talent shaping the future of jewellery design.”

Milan Chokshi, Founder, Moksh, said:

The structure of the Artisan Awards pushes the participants to really explore ideas, and at the same time present originality—extremely relevant in these times of excessive mechanical reproduction, where almost nothing seems original and everything can be made in unlimited quantities.”

Winners: The Artisan Awards 2026

EMBROIDERYDESIGNER NAMEMANUFACTURED BY
WINNERSurajit GhosalAnan Jewels India LLP
1ST RUNNER UPLekshmi Raj ManjuWalking Tree Pvt.Ltd.
2ND RUNNER UPPrajakta VesvikarAnan Jewels India LLP

Winner Suraji Bhosal

1ST RUNNER UP – Lekshmi Raj Manju

2ND RUNNER UP – Prajakta Vesvikar

MICRO PAINTING  
WINNERKavitha RajendranGRT Jewellers
1ST RUNNER UPElena PariArun Jewels
2ND RUNNER UPArchangel CaszoFarah Khan Fine Jewellery Pvt.Ltd.

WINNER – Kavitha Rajendran

1ST RUNNER UP – Elena Pari

2ND RUNNER UP – Archangel Caszo

POETIC LAYERS  
WINNERNamira ShaikhFarah Khan Fine Jewellery Pvt.Ltd.
1ST RUNNER UPNayonika ChatterjeeWalking Tree Ventures
2ND RUNNER UPAbhijit DasAnan Jewels India LLP

WINNER – Namira Shaikh

1ST RUNNER UP – Nayonika Chatterjee

2ND RUNNER UP – Abhijit Das

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JewelBuzz is Asia’s First Digital Jewellery Media & India’s No.1 B2B Jewellery Magazine, published by AM Media House. Since 2016, we’ve been the trusted source for jewellery news, market trends, trade insights, exhibitions, podcasts, and brand stories, connecting jewellers, retailers, and industry professionals worldwide.

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